Can I get a witness?
Feb 22, 2012 - Kadima Zoran Cultural Center, Kadima. Thanks to Danny Kitri for the photo.
Can I get a witness?
Feb 22, 2012 - Kadima Zoran Cultural Center, Kadima. Thanks to Danny Kitri for the photo.
after our palace show in Bethlehem, we walk out to the van and see this original Banksy across the street. sorry for crappy image, taken with blackberry.
Nini and Cathy playing a beautiful new theatre in Jerusalem called Beit Mazyea. 2.21.2012. Photo courtesy of Din Aharony. Thanks Din!
im sitting in our east jerusalem hotel looking at my luggage and wondering how it might be possible to put this trip into words. i mean, the fact that i am in JERUSALEM as an art envoy/cultural ambassador still makes my head spin. not only that but i only have about 20 minutes before we head out for dinner and then to the airport back to nyc. that’s the other thing, the schedule has been so jam packed that the days have become a blur of activity. specific events are real and vibrant but hard to organize in a timeline. it’s as if my memories and experiences are a carousel of flashing colors and lights. they all just spin around and around waiting for me to pluck one out of the sky, think on it and then put it back.
i do remember today tho, and early this morning we played an all girl school in east jerusalem. the music director of the school had one of his classes prepare 3 of our songs that they would then perform with us during the show. in addition, we held a workshop with this class to talk about our music as well as american music in general. in fact, we weren’t given any specific information as to WHAT we would share with the girls so in the end, we gave a crash course on improvisation by improvising the whole workshop! it was one of those times tho when you wonder if the tables shouldn’t be turned. these girls were being trained to sing beautiful arias and opera and they wanted us to talk about rock and roll! the way they sang our songs made them sound far more sophisticated than i could have imagined. these sweet angelic voices raised together singing “hey now mamma ill go anywhere you want to go….”! i didn’t know what to do with myself. as i sat there, i remembered writing the song in my brooklyn apartment (with my pal mcgowan) having a good laugh as we wrote, played and sang this honky tonk little ditty. it was impossible to take it very seriously. it was just fun. fast forward to jerusalem and here are these sweet girls singing away reading their lyric and sheet music. it was too much. you couldn’t rip the smile off my face.
during the show itself later that morning (this time in the school auditorium for the whole school) there were a few other highlights. or rather, low lights. our amps, lights and sound system kept blowing out the power! several times during the show the electricity just shut down. it didnt seem to matter much. in fact, sometimes i think these sorts of thing make a show better. it changes the dynamic of the whole event. all of a sudden we are on our toes not sure which way this thing is going to do. you wonder, well, do we stop? do we wait for the power to come back? will it come back? are those cookies still backstage?
so many thoughts to consider in a split second. luckily the girls were so enthused. it was such an amazing process to watch. they were all very polite at the start of the show. in their seats, clad in their uniforms (which brought me back to my own school days). they were excited and eager and they clapped and waved their arms in the air. at one point the girls in the back rows started getting up and standing on their chairs and soon the girls in the front started to stand. after that it is hard to tell when or how it happened but all of a sudden 2 brave souls came right down front and started dancing. i give them credit because it was a good few minutes of them dancing alone while the rest considered the option. im not sure if they were waiting to see if they’d get into trouble or if they just contemplated a potentially embarrassing situation. who knows! but before the song finished the whole bunch stormed the stage and they were clapping, stomping and singing. in the moments when the power failed, it was as if the electricity surged among the girls because in those moments the show elevated to another level. we dropped our instruments and let them lead the charge with us. this was the last day and after nearly 9 days of 2 shows a day - my voice was not willing to rise up and fill that room without a microphone. i was clint eastwood at best. but it didn’t matter, they gave me their voices and together we raised up melodies that echoed off the back wall.

Nini, I about pee’d MY pants when you sandwiched in Sugar Hill’s Boogety Beat between two simultaneous Whitney Houston ballads! Bop Bebop Scooby Doo, Guess What Antigone We Love You! YOU ROCK!! :)
way to rock! The energy Thursday night was incredible! Thanks coming over, you have made a difference, you have touched people, you have empowered them! Jennifer says that if she had seen someone like Deena on drums as a kid, she would have wanted to be a drummer.
ramblingwoman78 asked: HAD SO MUCH FUN seeing you in Israel!!!!
thanks so much! we feel so lucky to have had this opportunity! so glad you were there with us. xo n
sometimes you just can’t predict what the day will bring. the itinerary for said plain and simple that we had a cultural exchange in ni’lin, a stop off at the church of the nativity and a concert in bethlehem.
ok. great. im ready.
or am i?
the van takes us through east jerusalem and we wind our way along the infamous wall that separates the palestinian cities from the israelite territory. the story of the wall (and of this country) is so vastly complicated that our embassy liaison, try as she might, simply can’t put into words or a timeline just how complicated the situation here really is. at least not in a way that we can truly understand. however, we do start to realize just how real this situation is and how difficult it is for those who are actually living through it. i try to imagine just what it would feel like to have a wall built down 5th avenue in nyc. all of a sudden, it will take 1 hour to get from 5 east 5th to 5 west 5th because there is now a wall separating the two and depending on what side you fall on, you might need a permit to get to the other side. im not trying to get political here and i certainly am not passing judgement, but i feel like regardless of where you fall in this debate (and from the looks of it politicians aren’t even close to getting a solution) for people who are living in it day to day, it’s brutal.
slowly the landscape changes from city to mountainside and before long we are approaching the city of ni’lin. the streets wind so tight i wonder if the van will make it through but eventually we near the top of a hill and come upon a small community center. we know there is a program scheduled where the women of ni’lin have prepared some song and dance for us but nothing could have prepared us for the sight of these women lined up along the steps of the community center waiting for us to arrive.
side note: Nil’in village gained international attention several years ago as they demonstrated (and continue to demonstrate) against the building of the wall and continuous land confiscations by the Israeli state and the ongoing struggle for israel and palestine to find peace.
the sight of these women, many dressed in traditional clothing (sewn and embroidered robes representing their heritage, ancestry, and affiliations), lined up waiting for us was overwhleming. i mean, who the hell are we? we play rock and roll music and they’ve never even heard of us! but here they are ready to share themselves and their culture with us. its really a bit much to wrap your head around.
as we made our way into the room (lined w plastic chairs) we were ushered into the front row. as everyone settled a gorgeous little girl in full traditional dress made her way to me. i dont know why but i smiled at her and made some faces as she stared at me. she was about 4 years old and the daughter of one of the ni’lin women. when i managed to get a smile out of her, i reached out and she jumped right into my arms. why? i do’nt know. but before long she was on my lap and curled into me. i think she was tired and the way i see it, american or not, i must have looked like as good a spot as any for her to curl up and nap.
it is a strange sensation to be stared at. we go to the zoo but seldom are we the “exhibit”. for much of this cultural exchange, that’s what it felt like. at one point i found my way to the bathroom and nearly scared the lights out of a young girl. she wasn’t expecting me to turn the corner and when she looked up, there i was. i mean, she JUMPED. there were plenty of other people around so it wasn’t like i snuck up on her.. it was my american-ness that snuck up on her.
eventually everyone found their spots and the event started. they danced and sang and tho much of it was in arabic, the narrative was easy enough, scenes of a wedding reenacted by the teens, a local dance by the little ones, a poet, traditional songs by the elders. and all the while im wondering how on earth we are going to perform after this.. we are going to go over like a box of rocks!
it seems we are always getting introduced and having no idea it’s us they are talking about and this was no different. after a seemingly elaborate introduction, all eyes were on us. so, we plugged in and while we hoped for the best, what we got was through the roof!
clapping, dancing, smiles and hoots.. this all female bunch was letting loose! no idea what we were saying but as the music hushed so did they, as the music crashed, so did the hoots… they followed along as if they’d been listening to the cd for weeks! it was unbelievable.
after the performance, lunch was served. pita like bread smothered with olive oil and sweet onions with a big chicken breast on top. we took our loaded plates and sat outside in the sun with all the women and ate our lunch together. no cutlery, just hands. no napkins (except for the smuggled toilet paper i had in my backpack!) and no beverage - but the women prepared this traditional dish just for us on this day and we dug in as if it was a slice from joe’s pizza in the west village as opposed to an olive oil soaked, chicken topped pita bread in the west bank.
this blog is hardly enough to really convey what the morning held. the energy and the environment, the women and this conflict that is their lives and the openness with which they shared themselves with us is beyond what words can describe. i feel that as americans we are so jaded and accustomed to life as we know it. we seldom wonder about our borders unless we need to protect them and many of us (myself included) have our faces in our cell phones instead of looking out into the world.
today i felt what it might be like for a young girl to be empowered just enough to know that her life probably wont change no matter how hard she tries. today i felt what it might be like to be so proud of your culture that when a music group from america says they will come and play for you, you open your doors so wide that they can’t help but see who you are.
this was just the morning.
after this we went to the church of the nativity. where the sweet baby jesus himself began his sanctified life. all in day’s work right?
what a crazy life this is. to think that sometime during my high school years i decided i wanted to learn how to play guitar and forced my pudgy fingers into a G chord until i could play it up to speed with “closer to fine” on a worn out cassette. this morning i was in the village of ni’lin and followed that up with a walk through the church of the nativity laying my hands on the supposed birth place of jesus christ. THE jesus christ everyone calls to when they are scared to death. THE jesus christ everyone calls when they are pissed off. THE jesus christ everyone calls to when shocked… THAT very same jesus christ!
then cappuccino.
then the concert… in a converted PALACE.
who are we?
this just feels like the kind of thing that you can’t make up.
we drove up to our venue and it’s a palace that has been converted to a hotel. oh, and there’s 400 people waiting for you to play. and they proceed to dance and clap and cheer throughout the entire show even though few speak english. then they insist on photos and autographs after the show. it was beatlemania without the beatles.
the middle east.
who knew?
it’s proving a difficult task to keep track of everything. between the jet lag and the intense schedule, it is anyone’s guess what day or time it is. last night we ordered dinner at midnight.
this morning (i looked it up - thurs, feb 23) was a special morning and i hesitate to say that knowing that each day here on the holy tour brings unpredictable new highs. however, this morning was still pretty great.
for those of you who are new, antigone rising is in israel as arts envoys for the us state department playing concerts for israeli jews and arabs attempting to bring tolerance, understanding and peace through music. hence, the holy tour.
this morning we played for about 100 young teens (mostly arab christians and arab muslims) at tabeetha, an international school here in tel aviv. they all had a good grasp of the english language so we were encouraged to really interact and explain things like songwriting, instrumentation, improvisation etc..
there’s something about playing for kids that is unlike any other audience. they are so true to the moment. as the filed into their seats you could feel that they were ready for a show. the excitement in the room was palpable. they were so present that it was impossible for us to be anything but. they insisted that we give them our best and that if we did, they would give it back 10 fold. which they did.
to picture the space, imagine a long rectangle. our end was a raised stage with big double doors to the outside. the doors were behind us and wide open to the warm, sunny and gorgeous day. as we faced into the room, there were chairs and benches lined up and filled with little bodies. the walls were lined with teachers and students who couldn’t find seats.
I found a pic!
side note: notice dena’s kick drum! for some reason it wasn’t packed for this event so we made do by strapping a kick drum pedal to a road case. nice improv! sounded great!

at one point during the show we realized that there were about 10 smaller kids lined up at the doors (behind us).
side note: notice the kids in the photo!
they were part of another class that had let out early and had found their way to the music. they were younger than our “crowd” but when they showed no sign of moving on, they were invited to come in and sit along the floor at the front of the stage. their little faces could barely contain their smiles.
as i write this im realizing that while the event was incredibly special to me (us), i can’t really pinpoint a singular moment that made it so. maybe it was the feeling in the room and the way the kids reacted. i suppose i was nervous that they wouldn’t really be interested in our “stories” and that an hour of music was going to be a tough sell.. but it was quite the opposite. during the show they were eager to tell us who their favorite american pop stars were, they played air guitar and air drums, they sang when we gave them parts to sing… it was amazing.
after the show the kids couldn’t be stopped. they wanted to talk about singing and music and guitars and asked 1million questions all the while asking if they could take pictures with their phones. some wanted to go on tour! it was as if we were all in a pinball machine and loving every minute of it. at one point tho, as the crowd thinned, a little girl just walked right through and gave me a huge hug. she didn’t say anything, she just came up, made eye contact, hugged and walked away. she stopped my heart mid beat.
im rambling a little. truth is, im still trying to make it out for myself. these events come and go so quickly that it is hard to sort them out before the next one is upon us.
+++
thurs feb 23, night time
tonight was a smokey, crowded, hot, rock and roll club date. it was our first yet. so far we have been in schools, community centers and beautiful theaters. don’t get me wrong, i love playing a beautiful theater but sometimes a club date is exactly what the doctor ordered. i could have done without the smoke and as it turns out, smoking in clubs is illegal but in tel aviv they take it more as a suggestion rather than law.
the show was one of the fun ones. not that they all aren’t fun but sometimes they just have a “thing” and this was one of those times. perhaps it was the size of the stage, or lack thereof (i almost impaled cathy with my guitar at one point and i nearly fell into dena’s lap a few times) but we all felt really connected. the crowd was also rowdy and focused at the same time. it was the kind of night where the sound is just right and we played loud and long and didn’t want to stop. many of the faces in the crowd were from the us embassy and it was a treat for us to be able to play for them. they have worked so hard putting together these programs for us and have been incredibly supportive. we are so thankful and honored.
for those of you familiar with our show, cathy pulled out a surprising whitney houston selection during the slide song improv portion. not the one to be out done, kristen quickly followed suit and before long the sisters were battling it out trying to top one another with whitney houston songs. i almost pee’d myself.
side note: it seems strange to talk about nearly peeing myself and being an art envoy for the us embassy in the same blog. im pretty sure an art envoy should never pee oneself. im also pretty sure that and art envoy should never discuss peeing oneself.
we closed the show with springsteen - because the night - and everyone sang right along with us. such a perfect end.
unfortunately i had to put myself in a time-out after the show. no, not for peeing myself but because all the shows and the remnants of a cold are wreaking havoc on my voice. taking care of my voice is one of the most irritating of all things. truly the worst. the body feels fine and the brain says “I’D LOVE A BEER”! but the voice says “do that and i will make you sound like a toad”. or the brain says “LETS HANG OUT AT THE BAR AND TALK AND LAUGH ALL NIGHT” and the voice says “ha ha ha, if you do, i will make you sound like charlie sheen the morning after a long night at the playboy mansion”. and your new israeli friends want to take you out on the town for an after show party and the brain and body simultaneously say “HELL YES” but the voice just rolls its eyes and says “oh please, do you really think i’m going to let you do that”?
so, off the stage i went grabbing my boring hot tea with amazingly dull honey wrapping my pitiful throat in a scarf. i looked over my shoulder long enough to see the lights of the bar flickering as if to say “ARE YOU SURE”??
n
Day 1-Part 1
Today we drove about an hour and half from Tel Aviv to a small community center (Eshkol Ha Pais) in Be’er Sheva. I must admit that I might have dozed a bit during the drive but not before our first camel sighting! And as a side note, except for a few camels here and there, the landscape was interchangeable with that of any drive thru PA. But I digress…
So, we arrive for an 11am show to play for about 250 Bedouin and Jewish students from local high schools. Can you say diversity?
Throughout our careers we (I’ve) played tons of shows for high school and college students. Sometimes even in remote towns in the nooks and cranies of the US but its safe to say that we (I) have NEVER played for kids that have NEVER heard american music AT ALL.
And then here we come blazing in!
Ha! Culture shock indeed!
We played for about an hour and it was hard to read some of the faces. Some were visibly interested and clapping, swaying.. But some look away or look down and you can’t help but wonder if they are bored, shy or not comfortable with what is happening onstage. Or all of the above!
After the show we just sat along the edge of the stage. It took a few brave souls to break the ice but after that it seemed they all came up to say hello, teach us how to say hello, tell us their names, take pictures and some just to stare. One boy couldn’t wait to tell me he loved Eric Clapton! One girl, pretty well covered up and with great english skills came up quickly to say how lucky she felt to have been at the show. Before I realized it she was gone and I was left wanting to tell her it was the other way around. That WE were the lucky ones.
Day 1 - Part Two, Jerusalem
As I write, I’m relaxing in my luxurious King David Hotel room and it is safe to say that our hosts spared no expense on these accommodations. I feel like a pampered woman…well, that’s not quite true. I feel like I was hit by a bus and then the bus driver threw it in reverse and dragged me around a little for fun. Aside from that tho, def pampered.
Between the jet lag and our schedule it’s hard to know what’s coming next. I do however know where I just was! And THAT my good friends was a lovely theatre in the heart of Jerusalem filled with shiny happy people (and even some american transplants).
We were fortunate to have a local all girl band called Tarantina open the show for us. They were kind and gracious and we were happy to have them share the stage with us. Right now I’m also hoping I got the spelling right on the band name??
As for the show, there is something surreal about having just played in Jerusalem. I mean, 1 hour prior we were walking the halls of the old city and laying eyes on some of the most sacred places in the world. Religious or not religious, there is just such a sense of history here that it can be overwhelming. I wonder if the people that live here have a sense of that or if they’ve just become accustomed to it? Sort of like the statue of liberty or the empire state building in NY. I barely even notice them anymore let alone think of their origin.
Note to self: ask a few locals what it feels like to live in such a historically rich place.
I will say, as an american woman, that it is strange to be in a place where old traditions are still very much a fabric of society. What I mean is things like the separation of men and women - at the Western (wailing) wall for example, I almost walked into an area where it was men only. I was really just lost in thought, looking at all the buildings, taking it all in and walking down the primary pathway. I’m not sure why but all of a sudden I felt a nerve twitch and realized I was way too many steps into an area where I was not meant to be. Once I scurried to a neutral zone, I looked at the big picture to find that the women were in a space perhaps 1/3 the size of that alloted to the men. Not only that but the women were jammed into their little area whereas the men had heaps of wall to pray along. I realize I know way too little about the cultural significance of the division but at the very least can we not broaden the space for the ladies? Must it be so vastly insignificant compared to that dedicated for the male prayers?
I’m rambling and it’s late but I do love that we are here and as you well know by now, it is high time I snuggled in.
Good night.
n